Showing posts with label The Truth. Show all posts
Showing posts with label The Truth. Show all posts

What Would Happen If Medikal Replies Eno Barony

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Eno barony few days ago released a diss song titled “Argument Done” in reply to Sister Efya diss song to her. In the song the self acclaimed mother of all rappers threw some shots at Medikal. 

No doubt Eno Barony is on top of here game.

Social media is on the head of medikal to reply to Eno’s diss if he thinks he is a good rapper.

Well I want to share my opinion on what would happen if Medical should reply Eno.

Rap is a game of courage and punchlines, both Eno and medikal got those. 
Should medikal reply Eno automatically becomes the winner because of gender balance.
The public is putting pressure on medikal to reply Eno, if He replies it is the same public the will lambast him for dissing a female rapper.

When it comes to Medikal the public is not always in his favour when it comes to beefs even with his male colleagues how much more a female rapper.

He can stick to some few tweets at her but to release a dis song, it is a big NO to me.

Here Are The Deference Between Medikal And Strongman. Forget About Who is The Best

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Here Are The Deference Between Medikal And Strongman. Forget About Who is The Best

Recently Strongman and medikal has been on each others toes with diss songs. People kept people debating on who is the best.
Well I'm not here to talk about their beef or debate about you is the best among the two

I’m here to state my opinions that makes them deferent as rappers.

  • Stongman is powerful in twi, he pouches harder and stronger in twi than English.Whiles madikal aka MDK aka soutuom j zay pouches in English and twi mixture. Medikal mostly uses wordplay. You can check from their works. 

  • Both rap at deferent pace. Medikal raps more is a relax manner whiles strongman goes hard and aggressive. 

  • When it comes to commercial rap medikal comes first before stroneman. Most of medikal songs becomes household songs. 

  • Medikal sometimes sings in his songs, he has few songs which is did the chorus and also the rap.Strongman on the other hand does only rap in his songs. He features a singer when there is the need to sing in his songs 

  • Beef Beef Beef. Ghanaians love beef. When is comes to beef strong gee is stronger than medikal. Strong Gee hits harder.

  • Strongman is better at beefing because of his rap style, aggressive and hard. Because is his more powerful in twi he is able to express himself more because that is his mother language. You can check from their beefs songs. 

  • When it comes to fashion sense they move way deferent. Mdk loves Adidas wears whiles strongman wears anything that looks good on him. Medikal calls himself Adidas mafia. 

These are the deference I have spotted in the two, can add yours.

VIDEO: Review On Kuami Eugene Song Angela - SEFIE WITH ADAAWA

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VIDEO: Review On Kuami Eugene Song Angela - SEFIE WITH ADAAWA

Kuami Eugene's Angela is taking people by storm in the streets of Accra.
Adaawa Decides to give a his views on the song. He first talked about the beat, he commended kill beatz for a good job.

He when feather to touch on how Kuami Eugene made entry into the song, his wocal and on the lyrics.

WATCH THE VIDEO AND TELL US WHAT YOU THINK

Reasons Why Shatta Wale Was not Nominated At The 2017 BET Awards

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I know I'm going to be hated by shatta wale's fans for this write up but these are my facts I'm putting down.

No doubt that Shatta wale is the smartest and the trending artiste in Ghana with his song hitting the waves and the streets of Ghana and needs the world's attention.

I might be wrong with this facts but this is my opinion on this issue.

1. When it comes to deep lyrical content Stonebwoy's songs are way better than shatta wale's. You need to think deep to geet some of Stonebwoy's lines and and his songs too are well composed and arranged likewise that of shatta wale. Shatta wale compose songs every hour pouring out anything that comes to mind.

2. Stonebwoy's songs has much audio quality than that of shata wale. Im not sure most of shatta wale's song are mastered before he releases them.

3. When it comes to international recognition Stonebwoy is far recognized than Shatta Wale. Stonebwoy collaborated with Morgan Heritage just recently on their album. To remind you Morgan Heritage has a Grammy Awards this is a plus. Stonebwoy also went on tour with them.He was also on the Coke Studio Series.

4.Shatta Wale getting ban from the Ghana Music Awards is also the reason why he didn't get nominated. Ghana Music Awards the source of reference for most of the international entertainment awards organizers.

5.To end it all i will say is this my opinion and I'm entitled to it. You have the right to disagree. Let me get your response.

DREDIT : Fatai Muhammed

WHEN WILL CHARTER HOUSE MATURE, VGMA FLOPPED

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I wonder why they crown Charter House VGMA the most prodigious awards program in Ghana.It is far better to sit behind the TV and watch than pay that amount to watch it "fiiligadoshi".....THE PROGRAM WAS A FLOP.

To start with castro opened the show with a nice live band performance though i didn't feel it that much.He was not much comfortable with the live band as compared to him miming.Live band no be by-force.

I was much surprised to see them having faults with the microphone,when are they going to mature and shop allowing minor faults to flop their program.The continuity was very bad,i mean very bad,they announced that an artist is to take the stage just for the audience to wait for about 30 seconds before the artist appears on stage,i think it made the program very boring and unorganized.

Coordination  to me was inappropriate how can you announce that Jupita and Stonebwoy are about to take the stage for the MC to come latter and announce that Inyanya is the one rather to take the stage while he is relaxed sitting in the audience,he now had to be told that he is the one to perform,VERY DISGRACING,you will not see this in the BET.But Inyanya rocked the show though.

It is high time Event organizers respect Ghanaian Artists. How can you pay foreign artist huge sum of money while the homeland artist get peanuts.To establish my point look at Davido's performance compared to Sarkodie's,but they still pay them huge money.I support Shatta Wale refusing to perform by not taking the peanuts.

Shatta wale it's not fare for you to sit in the house while you know for sure that you are wining the ultimate price,it didn't sound professional,what will the outside world think of our artists.Even though they refused to pay the amount you demanded you should have come for your awards.

Congratulations to all those who won awards.
This is my opinion on the VGMA,I'm entitled to my own opinion.

By : Fatai muhammed

Letter To Charterhouse On The VGMA Nomination (Elorm Beenie)

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Elorm Beenie is a Journalist and Artiste Repertoire who blogs for the Reggae/Dancehall industry in Ghana plus a member of the BASS Awards Committee.This is what he has to say on the nominations of the VGMA.

There is no single award platform in the world that has not been criticized. It would savour some and would be unsavory other side as well. In every award scheme, if not all, some nominations are done with infused ‘controversy’ in it to keep talk up or to promote the event with the little brouhaha accompanying it. But when some nominations are done eerily like the “Reggae/Dancehall” category for the VGMA 2014 (Vodafone Ghana Music Awards) which more concerns me, then I find the Selecting Committee of the VGMAs to be unparallel.

Yes, good songs were picked – I agree. The Reggae/Dancehall genre is recognized on the awards’ scheme as it was done in the previous years - no qualms about that at all. But my reason for spending time punching the keyboard writing this one is about CLASSIFICATION or CATEGORIZATION of the songs for that category. Makes me assume there was NO person on that Board who has knowledge about components of what qualifies a song to be a Reggae/Dancehall song. Since the 1950s through the 1970s, the genre (Reggae/Dancehall) has undergone a thesis of varied changes and transformations where Dancehall especially has metamorphosed into genres like Hip, RnB, Soul and Jazz etc, but nonetheless, Dancehall still maintained the ‘internal signature’ in such ‘metamorphosed genres’.

Not to keep you reading plenty I would jump straight to the point. I respect every artiste and every song nominated for that category – Reggae/Dancehall – in VGMA 2014. I am NOT standing against anyone from winning what they are due but I my reason for all this squawk is the WRONG CATEGORIZATION of song(s) in that category. Even a day old baby with a resounding ear would agree with me that “Hot Cake” song by Pope Skinny featuring Shatta Wale is a HIPLIFE song by all standards so having that song in the category of “Reggae/Dancehall Song of the Year” is very weird to me. Perhaps the use of Patois or Creole by Reggae/Dancehall artistes on other genre songs is becoming confusing to some people here in Ghana that's hwy certain classifications are done that way. That song a good joint and it has gained and is still gaining a lot of airplay across the lengths and breaths of Ghana, Kenya, South Africa, Zambia etc but I beg to differ that the song is NOT a Dancehall song NOR would it pass for a Reggae song. It best fits the “Hiplife Song of the Year” – unless the Board Members would want to say that they are “trying to favour Pope Skinny to aid their ticket sales” or because they will be having him perform the song on the awards night that is why they put it there – still would sound funny to me anyway.

Stonebwoy Burniton has had a very successful year in 2013 with multiple hits, big stages, features/exposures etc but it amazes me why Stonebwoy had just one nomination. BIG JOKE!!!! Stonewboy for God’s sake was the BIGGEST THING in Ghana from January 2013 to April 2013 with his flawless song “Pull Up” before big entry for Shatta Wale came through from May 2013 till it heightened for Shatta Wale in July 2013 when the whole country sang along with most of Shatta Wale’s released singles. Point I am trying to put across is that Stonebwoy deserves to also be nominated in the category of “Artiste of the Year” as well as the other acts who were also nominated for that same category. His song “Pull Up” is a big CLEAN HIT that should have made it to “Vodafone Song of the Year” as well as the “Record of the Year”.

Still on the “Reggae/Dancehall song of the Year” can somebody explain to me why “Give It To Dem” (Kwenaamu) too by Stonebwoy didn’t make it to that category? Or are they trying to say they can’t pick two big hits from the same artiste to be in that category? SMH….Another hardworking Reggae artiste and versatile lyricist, Chidifari, who had his breakthrough last year with his “Ghana” song, was sidelined too. That song had massive airplay all over Ghana and I was been looking forward to seeing it in that category too but it was cut off. Then also is Shasha Marely’s collabo big hit with Bunny Rugs (of Third World reggae group, Jamaica) – that song is a really classic joint that has had great reviews across the Caribbean, radio shows in the UK (including plays on BBC 1Xtra) etc so it amazes me that song didn’t make it in that category. Then I hear Samini’s song “Body Flame” too was disqualified because they said it was an “explicit” song. And please, before you continue reading from here I would be glad if any of you don’t read bias meanings into my further comments on the “Body Flame” song because of that side of me which works with the HighGradeFamily. I am making my comments based on the INTEREST OF THE INDUSTRY, and NOT individuals. Thing is I would be glad what criteria they used to disqualify that song as an “explicit” material because if anyone listened to the song from A-Z there were NO words OPENLY talking about sex such as “pussy” or “dick” or “fuck” or “punani” or “pumpum” whatsoever that connotes OPENLY EXPLICIT studio material so why would that song be disqualified, on what grounds? I stand to be corrected. Then again I will want everyone to open their minds and heart as I would say that if the criteria for disqualifying “Body Flame” would be used too, then Shatta Wale’s song “Dancehall King” should also disqualified. Shhh, wait and put that song on replay while you read this part of my comments. I am NOT standing against Shatta Wale or his nomination at all because he has worked very hard last year and has released MULTIPLE HITS that DESERVE AWARD9S). But if anyone CAREFULLY listens to that big hit “Dancehall King” you would realized that some part of it hard a word that says “PUMPUM me love and di gyal dem a me favour” (where the word “pumpum” means “Pussy” or “Vagina” in Jamaican parlance) in the first verse of that song– and there is NO WAY in Jamaica or the Caribbean would that song be nominated for a nationally or internationally reputable award. I am NOT saying it is a bad song – IT IS A GOOD SONG – but it has a profane word in there so that should I think should have been lowered from that category. There are big songs from Shatta Wale that deserves to be there as well because he was all over Ghana and is still a popular face in Ghana now. BUT IF….BUT IF….a CLEAN VERSION of that song was submitted for the Board (without the “pumpum” word in it) which they have reviewed and put it in that category then I have NO cause to criticize it and would eat a humble pie – but if it was the same RAW VERSION which has aired all over is what the Committee has selected then I would say they did the wrong pick for him. I am not against Shatta Wale winning an award or winning that category because he is also one of the huge figures in the Reggae/Dancehall industry that has shot the genre to international prominence – don’t get me wrong because of his tension with Samini, I am just making my analysis – NOT in the interest of any individual!

Other people are vehemently arguing about the inclusion of “Fever” by D2 featuring Shatta Wale also in that category. For me, I will ENDORSE it as a Dancehall song that had routine airplay that deserves to be there because it has elements of Soca and Calypso in it – which mostly is linked to Dancehall so for me, that song “Fever” by D2 ft. Shatta Wale deserves to be there – it qualifies!

Besides, I personally feel MULTIPLE CATEGORIES should be created for the Reggae/Dancehall genre as well. To put a big and internationally known genre as Reggae/Dancehall boxed in one is very unfair! It’s a great disservice to that side of our industry. Reggae/Dancehall is very big in Ghana now for the past 14 months and evidentially, the Hiplife artiste and rappers have now turned themselves byforce into Dancehall artistes – that shows how big the genre has become so I would be glad if multiple categories are created OR if possible they split it into two as in “Reggae Song of the Year” AND “Dancehall Song of the year” so a wider recognition can be given to the genre. I know people would jump at my sleeves and say “even Grammys has one category for Reggae/Dancehall” but it would be nice if there’s multiples of it – at least two categories so the Roots Reggae artistes wouldn’t sound as if they are left out.

Hardworking artistes like Kojo Kombolo, Ras Kuuku, Redfyah, Chidifari who have had a cool year in 2013 would have had entries for their joints in the “Reggae Song of the year” category if it was created. Dancehall has become so big that many others forget that the REAL ROOTS part of it (Reggae) also exists.
Concluding it all, I will openly say that the Ghanaian Roots Reggae artistes are VERY LAZY!!! Yes, they are very lazy!!! You can’t sit in the ghetto with your records and think because you have recorded a material it would turn a big hit overnight – YOU HAVE TO PROMOTE IT WELL SO YOU ARE RECOGNIZED!!!

Apart from Rocky Dawuni, BlakkRasta, Chidifari, Redfyah, Kojo Kombolo, Kwame Partan, Ras Kuuku Prince, who are known faces promoting their joints on radio and online, HARDLY would you see any Roots Reggae artiste in Ghana pushing their songs around yet they are the ones who sit in the ghetto pointing accusing fingers that they are being sidelined. IF YOUR SONG IS GOOD, YOUR PRODUCTION IS GOOD, the Presenters and Jocks would play it!!! Rocky Dawuni lives in the USA but he drops a song today and tonight it gets on the playlists here in Ghana because HE IS NETWORKED!!! You can’t call yourself a Roots Reggae artiste and keep to colonial forms of promo thinking somebody would come to you in the ghetto to push you. No way!!! For the Dancehall guys, they know they have good material with good studio recording so they keep chasing media folks and the online market for breakthrough that is why they are all over the place – so those of you Roots Reggae artistes hating on the Dancehall guys, I am here saying that you should STEP UP YOUR GAME!!!!

Thanks for reading this one. Just my personal thoughts I feel would feed in some things into our industry. I have NO beef with anybody so don’t read meanings into it. I know my comments perhaps would not change the nominations or revert things but at least it is always healthy we share ideas on things. If you disagree with me on anything I’ve put across, you are free to speak your mind as well; I just spoke my mind too. I stand to be corrected anyway. Congrats to all nominated artistes anyway. Peace!

Kind Regards,
Elorm Beenie.

We Are Killing our own Talents In Ghana.

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We Ghanaians are own enemies in Showbiz. Sarkodie went on international platform and says "irish cream" then everybody pelt him the wackiest rapper, then Sarkodie went on to say "I invented azonto" (on BBC), hmmm only God knew the number of people who crucified him verbally and emotionally on that.So SAMINI also came through to hit P-Square for 'siphoning' our originated azonto and called it 'alingo'. Hmmm, Samini also had all the unprintable words in the world hurled at him in chorus from people saying "he is an old face so he should save himself"....hmmmm...just weeks ago, Wizkid was crowned on Channel O as the "originator of azonto" my colleague journalists have pretended not to see. And on that silliest performances by @KCee of "Limpopo" hit song and Burna boy on Channel O who got popular just last night, fellow DJs, Presenters are hyping them more than their own names on their diverse shows. If it were any of our Ghanaian artistes who didn't perform well on that Channel O stage, the kind of backlash they would get from our media hmmm, your guess is as good as mine. I'm typing long again but to cut it short, WE ARE KILLING OUR OWN TALENTS and if we don't take care a time will come Ghana Showbiz will become like South Africa which is run by "westerners". Let's protect our content. Musicians Union of Ghana, Musiga is the WEAKEST INSTITUTION in Ghana and I know their "big men" on my list will read this. If it hurts them, let them do PROPER RESTRUCTURING and stop joking with talents and their livelihood. So many things I want to write about but this space is too small. I'll be pouring more in the subsequent posts.

Writer : Elorm Bennie

Biography Of Sarkodie

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Name: Michael Kwesi Owusu Addo
Date of Birth: 10th July 1988
Label: Duncwills Entertainment/Konvict Africa
Honors: 2010/2012 Overall Best Artiste, Best Rapper, BET Best International Artiste Africa
among others.

As a trend setting and inventive rapper, Sarkodie began his instrumental career as an underdog rapper‐ who through years of maturity has earned a novelty in the rap game in Ghana and beyond. Born as Michael Kwesi Owusu Addo and raised in the infamous Tema neighborhood, Sarkodie is a Ghanaian top notch and award‐winning rapper with just two (2) albums to his credit, yet has entrenched his impervious personality in the annals of the music industry as the most sought after. Sarkodie started rap at the age of 4 with a profound dream of changing the music game and making his presence felt worldwide in the coming years. He finally rose to mainstream fame in 2008 after turning down a job offer from an advertising company to fully take up music as a professional career. In 2010, he had several collaborations and earned numerous accolades and nominations including 5 major awards at the 2010 Ghana Music Awards with his debut album, Makye and other epochal international awards. He was also part of the historic Ghana cypher that appeared on the international airing of the 2010 BET Hip‐Hop Awards. Breaking the jinx, Sarkodie's latest, hot‐selling Rapperholic album bagged 12 glorious nominations in the 2012 Vodafone Ghana Music Awards. On April 14, 2012 Sarkodie made history when he was crowned the Artist of the Year for the second time, as well as winning the award for Most Popular Song of the Year for his hit song You Go Kill Me and the Best Rapper of the Year for another second time.

Sarkodie, was also nominated for the 2010 MTV Africa Awards, MAMAS. Sarkodie was nominated in the best Anglophone category alongside Wande Coal of Nigeria, Daddy Owen of Kenya and Big Nuz of South Africa. The nominees for the 2010 MTV Africa Music Awards in partnership with Zain were shortlisted by MAMA Academy, made up of a group of music industry experts and taste makers from across the African continent.Sarkodie also won "Best Collaboration of The Year" award with the video of his song "Lay Away" which features Sway from UK at the SOUND CITY MUSIC VIDEO AWARDS 2010 in Nigeria.

Managed by Duncwills Entertainment with backing from Konvict Africa, Sarkodie has a soft spot and immense passion for orphans and has made several donations through musical performances intended to raise funds for needy children and other community projects as a whole.

Sarkodie's iconic and breath‐taking stage presence has enabled him to perform on platforms with notable international acts including Chipmunk, T‐Pain, Trey Songz, Mavado amongst others. Having toured the U.S.A and U.K, Sarkodie's hallmark is performance satisfaction and a perfect delivery of thought‐provoking lyrics in his kind of music. As he gradually develops into a million‐selling rapper with a distinctive musical signature, his famous claim of being the "fastest rapper" is certainly worth considering. Sarkodie winning the 2012 BET Best International Act: Africa further solidifies him as one of the best rappers in Africa to ever come out of Ghana.

SARKODIE'S AWARDS

2010 Ghana Music Awards
Artist of the year
Sarkodie
Discovery of the year
Sarkodie
Hip hop/hiplife artist of the year
Sarkodie
Best Rapper of the year
Sarkodie
Album of the Year
Makye - Sarkodie

Sarkodie also won "Best Collaboration of The Year" award with the video of his song "Lay Away" which features Sway from UK at the SOUND CITY MUSIC VIDEO AWARDS 2010 in Nigeria

2012 VODAFONE GHANA MUSIC AWARDS:
Artiste(s) of the Year
Sarkodie
Most Popular Song of the year
Sarkodie – U Go Kill Me
Best Rapper Of The Year
Sarkodie

BET AWARDS 2012
Sarkodie - Winner, Best International Act - Africa

Source - tmgalbum.com